Fall



Pretending that the way's through the door
I wanna see you falling
A thousand reasons why I lose my hair
I'm not your darling, darling
I wanna see you falling

You tell me that your back's to the wall
I wanna see you falling
The saviour comes and the thief takes a walk
Take a walk
The feedback is on the wall
Your feedback don't taste good at all

You help yourself but it's at my expense
I wanna see you falling
And don't touch my fair love for no-one
I'm not your darling, darling
I wanna see you fall

??????
I'm not your darling, darling
A thousand metres, they've all got his hair
We're not your darlings, darling
The saviour came and the thief took a walk


Lyrics by:
Brown

Music by:
Squire / Brown

Written:
1984

Personnel:
John Squire (lead guitar)
Ian Brown (vocals)
Andy Couzens (rhythm guitar)
Pete Garner (bass)
Alan Wren (drums)

Produced by:
Martin Hannett

Available on:
Garage Flower (2.46)

First live performance:
In 1985

Pseudonyms:
'I Wanna See You Fall', 'The Saviour'

Details:
The influence of the Bible on Ian Brown's songwriting can be first observed as early as 1984, as evidenced by a lyric from this track. "The saviour comes and the thief takes a walk" is an unmistakeable reference to one of two incidents surrounding Jesus's Passion. Jesus promised the thief on the cross that he would be with Him in Paradise. The Passover custom in Jerusalem allowed Pilate, the governor of Judaea, to commute one prisoner's death sentence by popular acclaim; the crowd were offered a choice of whether to have Barabbas ("the thief") or Christ ("the Saviour") released from Roman custody and chose the former:

From the four Gospel accounts, we learn that the crimes of Barabbas were murder and insurrection (Matthew refers to Barabbas only as a "notorious prisoner" - (Matthew 27:16)), and not stealing. The more favoured interpretation of this lyric relates to Jesus being brought to the cross and the "thief" at his side taking "a walk" in the sense of walking free (effectively) after a life of sin:


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