Pretending that the way's through the door
I wanna see you falling
A thousand reasons why I lose my hair
I'm not your darling, darling
I wanna see you falling
You tell me that your back's to the wall
I wanna see you falling
The Saviour comes and the thief takes a walk
Take a walk
The feedback is on the wall
Your feedback don't taste good at all
You help yourself but it's at my expense
I wanna see you falling
And don't touch my fair love for no-one
I'm not your darling, darling
I wanna see you fall
??????
I'm not your darling, darling
A thousand reasons ??????
We're not your darlings, darling
The Saviour comes and the thief takes a walk
Take a walk
Lyrics by:
Brown
Music by:
Squire / Brown
Written:
1984
Personnel:
John Squire (lead guitar)
Ian Brown (vocals)
Andy Couzens (rhythm guitar)
Pete Garner (bass)
Alan Wren (drums)
Produced by:
Martin Hannett
Available on:
Garage Flower (2.46)
First live performance:
In 1985.
Pseudonyms:
'I Wanna See You Fall', 'The Saviour'
Details:
Ian was the major lyrical influence in The Stone Roses' earliest work, before the classic Squire/Brown partnership that would yield the 1989 eponymous debut LP. While John brought the artistic element to the band, Ian brought the religious aspect to their work. "The Saviour comes and the thief takes a walk" makes reference to one of two incidents surrounding Jesus's Passion. It is either the promise of Jesus to the thief on the cross that he would be with Him in Paradise, or the freeing of Barabbas. The Passover custom in Jerusalem allowed Pilate, the governor of Judaea, to commute one prisoner's death sentence by popular acclaim; the crowd were offered a choice of whether to have Barabbas ('the thief') or Christ ('the Saviour') released from Roman custody and chose the former:
With one voice they cried out, "Away with this man ! Release Barabbas to us !" (Barabbas had been thrown into prison for an insurrection in the city, and for murder.)
Wanting to release Jesus, Pilate appealed to them again. But they kept shouting, "Crucify him ! Crucify him !"
For the third time he spoke to them: "Why ? What crime has this man committed ? I have found in him no grounds for the death penalty. Therefore I will have him punished and then release him."
But with loud shouts they insistently demanded that he be crucified, and their shouts prevailed. So Pilate decided to grant their demand. He released the man who had been thrown into prison for insurrection and murder, the one they asked for, and surrendered Jesus to their will.
(Luke 23: 13 - 25)
From the four Gospel accounts, we learn that the crimes of Barabbas were murder and insurrection, and not thievery. (Matthew 27: 16) refers to Barabbas only as a "notorious prisoner". The alternative interpretation of this lyric relates to Jesus being brought to the cross, and the "thief" at His side taking "a walk", in the sense of symbolically walking free after a life of sin. (Matthew 27: 38) and (Mark 15: 27) describe the men on each side of Jesus as "robbers". Jesus' disciples had fled or were lingering disillusioned at the margins of the crowd, their hopelessness echoed by the men on the road to Emmaus, "...they crucified him; but we had hoped that he was the one who was going to redeem Israel." (Luke 24: 20 - 21). Yet here on the cross to one side, a fellow condemned man, life ebbing out of him, looks across and sees not another dying man, but the Messiah himself. Somehow, he understands that Jesus is not an impostor, and that he will still receive the Kingdom that belongs to the Messiah.

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